Archives
- Neotokyo/Neonatus with Nanut
- Tentacular Teriterria
- Nawin Nuthong
- JAM
- Tewprai
- Omer Wasim
- The end is near: a dystopian electronic party. Duo with Thanapat Ogaslert (CSRCSR) at De Commune. Also organize and promote the event.
- Sonic thread
- Sonic thread
- Ghost (as JAAG)
- Ghost (as JAAG)
- Opening Party for Nanut, This history is auto-generated
- Closing Party for Nanut, This history is auto-generated
- Mix, invited guest for Blozxom for Bangkok Community Radio (BCR)
In 'evals', a live-coding performance at @bangkok_kunsthalle on July 4th 2025
Organized by @synap.home.lab in collaboration with @corneacochlearclub and @bangkok_kunsthalle
I start by scratching sound into the microphone and then manipulating it with code (using TidalCycles). Layer by layer, more sounds are scratched, combined, and transformed, all unfolding improvisationally on the fly.
Semi-serious in spirit, the piece starts with a blank editor and gradually grows into a full audiovisual performance. It plays with the idea of "from scratch"—both beginning from nothing and the literal act of scratching to create sound.
In this layered wordplay, "from scratch" becomes less a rule and more a way of noticing how improvisation, sound, and code take shape in real time. As gestures, patterns, and textures build up, the piece shows how things can drift into place on their own—how meaning appears unexpectedly, how small actions grow into structure, and how the performance slowly finds its own direction simply through the act of making.
Sound Engineer
@skykys._
@nowheredweller
Special thanks
@renickbell
@synap.home.lab
Photo by
@puttisinn (@puttisinc)
At @bartemp.bkk for @nonnonnon_bangkok
Mutant Club, 3rd Oct.
I asked the audiences to scan the QR Code to open my website that made their phones a strobe. The website would ask for the permission to control the phone camera, and then control the phone flashlight. The Strobe would randomly change the BPM between 120 to 500.
Before and late in my set, I would beg the audiences to give me some more light as an inspiration (- as a spotlight) and in exchange, I would continue to give them my sound back.
Thank you so much @maehappyair @nonnonnon_bangkok
Thank you all audiences (and folks who help gimme some lights)
Special thank @krung_khet for helping me setup the sound and test the website
Special thank @pin_natthamon for the clips
on 6 July 2025
at Nina Next Space, HCMC, Vietnam
WrappedByte (TH) (@wrappedbyte) x Jo Ngo (VIE) (@jodeyiam) presents "From Scratch: Wandering in the Street."
as a part of the "From Scratch Live Coding From Scratch" series.
The performance begins from a blank editor screen and gradually builds into a full audiovisual piece. It plays on the phrase "from scratch," meaning to start from nothing, to scratch objects into existence, and to DJ scratch sounds live. Like wandering a street at night, the audience suddenly notices objects emerging from the dark. Each is created through code and sound, appearing both visually and sonically. The work explores improvisation and the creative process, showing how meaning and atmosphere can develop unexpectedly from silence and emptiness, one scratch at a time.
This time I used different sandpapers to scratch on the brick and the chair. I also used my nail to scratch on the mic and the chair as well.
P.S. Last pic marks the end of the tour, as I would need new sandpaper for the next show
special thanks:
@lebactan
@jodeyiam
@renickbell
@vietnam_media_lab
@rmitvnscd
LiveCoding AudioVisual duo with @pasuthh at Unfest2025 (22 Fev 2025)
as part of @corneacochlearclub for @unfest26 (@unformatstudio) along with many live coders friend
I use TidalCycles, while Pasuth works with Unreal Engine and Resolume. This performance is also my first time experimenting more deeply with cinematic sound, and it marks the beginning of my exploration into sound design.
Lighting by @korborvor_visual_label
photos by @pxwxriz
@unformatstudio
- Gallery night performance With Karnpapon (The Black Codes) at Mal studio, and with Nanut at Tentacles Gallery
- Bangkok street noise With Karnpapon (The Black Codes)
- DXPRN (as JAAG)
- VJing for Jon Samurai at JAM (as JAAG)
- Sonic Thread with Thanapat Ogaslert (CSRCSR) at Tentacles Gallery
BYOB is a series of motion picture exhibitions that take place for one night in various locations around the world. Artists will bring the projector/beamer to display their works along with others filled in the space to create the visual together.
BYOB was originally started by Rafaël Rozendaal in Berlin, Germany, in 2010. This event showcasing moving images has been expanded by individuals interested in motion media in many countries, such as Amsterdam, Los Angeles, Melbourne, and Taipei. The open invitation invites visual artists and creators to showcase their work, exploring new possibilities in presenting images through projection.
(2025, Thailand, Print on fabric, metal frame, custom software (openworm's c302 project), mixed media.)
re:complex
at @goetheinstitut.thailand
7-13 November 2025
guest curator: @alcoholidaysss
The simulations of four parallel worlds of the nematode Caenorhabditis elegans' neural pathway—an organism (roundworm) whose whole neural map data has been collected and simulated. They are displayed with each quadrant. Each quadrant presents a different condition based on the quadrant's description: induced pain, induced pleasure, or complete absence of the worm.
The installation also stands as a sculptural totem (coffee table or altar), a monument to the continuity of human civilization, questioning the inevitability of its persistence. It asks: Should we continue to reproduce and perpetuate our lineage, or accept extinction as the natural end of our cycle?
Eternal Gain, Eternal Pain is an ethical speculation on the morality of procreation and antinatalism, inspired by David Benatar's diagram of pain–pleasure asymmetry. I use the OpenWorm's c302 project to simulate Caenorhabditis elegans because it draws from real biological data, creating a near one-to-one mapping between the living organism and its digital counterpart. Both function through electricity — one organic, one computational — blurring the boundary between life and simulation.
Beside the simulation, a coffee table with an embossed ouroboros evokes humanity's cycle of creation and consumption, a quiet symbol of endurance and self-devouring continuity. Eternal Gain, Eternal Pain questions whether our drive to create — in biology or in code — arises from empathy or compulsion, and whether the refusal to create might be the final act of compassion.
Project Installation consultation: @toeeyt
3d mockup: @msyves
Project consultation: @roma_or_am_i
Installation:
Wutthiphong Chaiwong
Nuttawut Kaiwansin
@sawasdeenut
Special Thanks:
@nowheredweller
@nanut.t
Johannes Hossfeld
Kullaya Wapinanon
@gracenaholic
@nawinnuthong
In collaboration with P.A.T.C.H.
for Close Inspection From Afar
at ETAK BKK
(12th - 26th, July 2025, Realtime system, custom software, mixed media, 3 channels, LLM; variable duration)
This project uses the three-body problem as a metaphor to generate speculative fiction about global relationships. Each celestial body represents a country, and their distances reflect the state of diplomacy — when the bodies move too close, it suggests conflict; when they move apart, it represents stability or peace.
An algorithm calculates the distances between the three bodies and interprets them as indicators of current geopolitical tension. This data is sent as a prompt to a large language model (such as GPT-4 or Grok), which generates a short speculative fiction about a possible future based on the current state.
The generated text is then used as input for StreamDiffusion, which creates a visual scene displayed on the top of the screen. The bottom section prints or embosses the generated story and image, archiving each event as a record of "machine-written history."
Each new event adds to the archive and becomes part of the next prompt, allowing the system to remember previous narratives and build a continuous, evolving story about the future.
A flower arrangement accompanies the installation, acting as a living decoration that grows or withers by the end of the exhibition. Painted in metallic tones, the flowers appear futuristic but lifeless — reflecting smaller nations that drift around the larger powers, present yet with little influence on the global scale.